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undercurrent Undercurrent, a magazine of and on film criticism, is a bimonthly publication of FIPRESCI. staff Editor: Chris Fujiwara contribute Undercurrent invites critical essays, film, DVD, and book reviews, and articles on the practice, theory, and history of film criticism. Contributions are welcomed from both non-members and members of FIPRESCI. Please send your suggestions to csfujiwara [at] gmail [dot] com. |
In this issue:
#7 (1.2011)
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| Blake Edwards and Julie Andrews during the production of Victor/Victoria |
Special section: Blake Edwards (1922-2010)
Blake Edwards' Sad Songs of Love by Adrian Martin
"These Days, You Can't Be Too Careful": Late Edwards by Gregg Rickman
Blake Edwards in the 1980s by Brad Stevens
Switch and Drag: Gender Ambivalence and Ambiguity by Jean-Pierre Coursodon
Drive a Crooked Road: Quine and Edwards Accelerate to Top Speed by Blake Lucas
Mister Cory: The Center Still Holds by Dan Sallitt
Breakfast at Tiffany's by Miguel Marías
Notes on Experiment in Terror and What Did You Do in the War, Daddy? by Chris Fujiwara
In or Out, Dead or Alive? The Excremental in S.O.B. by June Werrett
Cineastes and Cinephiles: An Interview with Pierre Léon about Jean-Claude Biette
By Larysa Smirnova and Dmitry Martov
Notes on Film School
By Ricky D'Ambrose
Passing through the Image
Chris Fujiwara on Takamine Hideko (1924-2010)
Mendoza Optical Clinic
Caroline Abasta on Brillante Mendoza's Serbis and cultural schizophrenia
Tormenting Fragments, Mocking, Melancholy Whole
Yvette Biro on Elia Suleiman's The Time That Remains
Free Cell Block F, 'Tis Nazi USA
Chris Fujiwara on the 2010 Viennale
Cracked Lip Service
Mike Mosher on David Laderman's Punk Slash! Musicals: Tracking Slip-Sync on Film
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issue #7 (1.2011)
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