Fipresci Home the international federation of film critics  
  about us | festival reports | awards | undercurrent   contact | site map 
home > festival reports > Palm Springs 2012  

coming soon

23rd Palm Springs International Film Festival, 2012

The Turin Horse
space.
"The Turin Horse" (Béla Tarr)

Dedicated moviegoers at the Palm Springs International Film Festival might take as their motto Gertrude Stein's famous quip: "I like a view but I like to sit with my back to it." Which is to say, there's something perverse about spending one's days huddled in dark rooms starring at flickering lights when one might otherwise stroll about in the clean, dry air, soak up the warm winter sun, and gaze at the mountains that cradle this desert oasis.  Happily, the view inside can be just as welcoming, especially if you're the kind of person capable of being enthralled by miserable Hungarians putting on nasty sweaters for two and a half hours. While Béla Tarr's The Turin Horse, winner of the FIPRESCI prize for best film, represents an uncompromising outer limit of contemporary cinema, the PSIFF generously draws from the full spectrum of international film. For its 23rd edition, the festival showcased 188 films from 73 countries, with a sidebar devoted to new Arab cinema and a distinctive program of classics selected by filmmaker Mark Cousins, whose epic documentary The Story of Film: An Odyssey, received its US premiere. Opening night honors were reserved for Lasse Hallström's Salmon Fishing in the Yemen, with the closing night devoted to Yasemin Samdereli's Almanya, Welcome to Germany. Between them a trio of gala presentations celebrated the community's vibrant Latino, lesbian, and gay communities, and the festival got a much-needed jolt of genre exuberance with a special presentation of Steven Soderbergh's Haywire.
   
As is customary at the festival, a section is devoted to films submitted to the Academy Awards for Best Foreign Film consideration. It is from this pool of candidates that the FIPRESCI jury makes its selection. In addition to the films and performances singled out as prizewinners, the jury showed particular admiration for Elite Squad: The Enemy Within, José and Pilar, and Once Upon a Time In Anatolia,and performances by Francesc Colomer (Black Bread), Thomas Schubert (Breathing), Deannie Yip (A Simple Life), and Ricsi (The Turin Horse).
    The Best Film award goes to The Turin Horse (A Torinói ló, directed by Béla Tarr, Hungary, 2011), for the power of its austerity and radical commitment to its vision.
    The Best Actor prize goes to Matthias Schoenaerts in Bullhead (Rundskop, Belgium, 2011, directed by Michaël R. Roskam), for his superb portrayal of an innocent and sensitive man trapped in a truculent body.
    The Best Actress award goes to Leila Hatami, Sareh Bayat and Sarina Farhadi in A Separation (Jodaeiye Nader az Simin, directed by Ashgar Farhadi, Iran, 2011), for their naturalistic, powerful and fully interdependent portrayals of three women grappling with complex questions of guilt and morality. (Nathan Lee)

23rd Palm Springs International Film Festival (USA, January 5-16, 2012, www.psfilmfest.org). FIPRESCI Jury: Nathan Lee (USA), Boyd van Hoeij (Luxemburg), Mario Abbade (Brazil). FIPRESCI Prize for the best film: The Turin Horse (A torinói ló) by Béla Tarr (Hungary, 2011, 146min). Print Source: Films Boutique (Skalitzer Str 54A, Berlin 10997, Germany), Tel:  +49 30 695 378 50, Fax: +49 30 695 378 51, web: http://www.filmsboutique.com, e-mail: info@filmsboutique.com. FIPRESCI Prize for the best actor: Matthias Schoenaerts (Bullhead, Rundskop, Belgium, 2011, 124min, directed by Michaël R. Roskam). Print Source: Celluloid Dreams (2 rue Turgot, Paris 75009, France), Tel: +33 1 49 70 03 70, Fax: +33 1 49 70 03 71, web: http://www.celluloid-dreams.com, e-mail: info@celluloid-dreams.com. FIPRESCI Prize for the Best Actress: Leila Hatami, Sareh Bayat and Sarina Farhadi (A Separation, Jodaeiye Nader az Simin, directed by Ashgar Farhadi, Iran, 123min, 2011). Print Source: Memento Films International (9 Cité Paradis, Paris 75010, France), Tel: + 33 1 53 34 90 33, Fax: +33 1 42 47 11 24, web : http://www.memento-films.com, e-mail: sales@memento-films.com.
Festival: www.psfilmfest.org.

Reports

Voluptuous Carbohydrates and Apocalyptic Ecstasy. Nathan Lee reviews FIPRESCI Prize winner The Turin Horse by Hungarian Béla Tarr. arrow.
Moral Morasses in Contention. Boyd van Hoeij made a summary after Palm Springs. arrow.
Bullhead. Mario Abbade reviews Bullhead by Michaël R. Roskam. arrow.

top

 

recent festivals

 

Palm Springs 2012

bullet. Index
bullet. Voluptuous
   Carbohydrates

bullet. Moral Morasses
bullet. Bullhead